Artist Statement

Clay has become my preferred material for sculptural work. The immediacy of clay and my sculptural techniques are an attempt at loose perfection while combining a sense of urgency. This combination of techniques allows me to create objects using minimal movements and an economy of touch on the clay. This practice is especially reminiscent of an attitude from my past in the U.S.  Air force.  

This practice gives sculptural objects an energy and movement not typically felt in stationary objects. Careful selection of material and finish leads to combination of conceptual and narrative practices. Leading to the viewers’ interpretation of the passage of time and the concept of the sculptural items being challenged. I typically sculpt everyday objects that have extreme personal meaning. Analyzing the complex relationship, people have with inanimate objects and the formation of memories. These sculptural objects focus less on a detailed re-creation. The precise details of the sculpture take on qualities of faded memories becoming loose and changed with the passage of time.  

These sculptural objects present the ability to reflect on memories via physical form, bringing back a range of emotions for the viewer. The creative process feels like a combination of art and science. Akin to having the keys to a time machine. This practice has presented me with a unique opportunity to reflect on my time in the U. S Air Force. Exploring how these experiences have shaped my perspective on life. Leading me with what I feel like is the most important aspect of my work. The ability to create an opportunity for dialogue about what military service in America means in the early 2000’s.