There is something fascinating about the unexpected; the
thrill of chaos draws me to working in spontaneous ways. As a collector of
objects from different times and different places, I am always looking to arrange
these things in ways that are both familiar and slightly off. Through careful curation,
I arrange elements of this world that have never met to mingle with one another.
In creating vessels and wall works, I work directly to manipulate the pieces
throughout different stages until a composition emerges. As I utilize multiple materials,
I am interested in bringing beautiful form and surface to the overlooked and
forgotten places I see each day, pulling textures and compositions from memory. These
could be familiar spaces, aspects of abandoned buildings, or trash I see on the
side of the road, any remnants of decay or ruin that one may define as
detritus.
The best part of being a boy scout was to explore the
California wilderness with my friends and we would often stumble upon litter or
someone’s abandoned dwellings. Seeing what was left behind, we would try to
imagine whose it was and why they had left. In my early twenties, with the
carefree nature of early adulthood, I began to leave behind my own detritus and
suddenly I had become what had spurred my curiosity so many years ago. Now, the
work that I make in my own studio is a combination of what is left behind, by
both myself and others.
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