The sculptural techniques I implement are
also an attempt to impart multiple mental aspects of military life. A
sense of urgency when completing time sensitive or tasks
that are mission critical and minimizing energy output while maximizing
effectiveness and force. I attempt to bring in these aspects of
military life using a variety of technical skills and methods to impart
my own translation onto the objects. This combination of techniques
allows me to create objects using minimal movements and an economy of
touch on the objects. Hopefully, leaving them with a specific charged
energy and emotion.
This practice also gives
me the opportunity to analyze the complex relationship people have with
inanimate everyday objects and the formation of memories. This creation
of these sculptural objects focuses less on a detailed re-creation.
The precise details of the sculpture take on qualities of faded memories
becoming loose and changed with the passage of time.
These objects ultimately granting me the ability to connect with other veterans about their memories via physical form. Sparking conversation about service, conjuring up a range of emotions for the viewer. This has also presented
me with a unique opportunity to reflect on my time in the U.S. Air
Force. Exploring how these experiences have shaped my perspective on
life. Leading me with what I feel like is the most important aspect of
my work. The ability to create an opportunity for dialogue about what
military service in America means in the early 2000’s, with service and non-service members in my community and abroad.
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