My work portrays resilient female figures in the face of
oppression or defeat. The women in my work are empowered by their landscape, as
they subjugate fiery horizons and volcanoes, reclaim wet, womb-like caverns,
and retreat stealthily into the opening of a cave-like canopy. Imitating feline
creatures and animal beasts through the expressiveness of their bodies further
strengthens their connection to the natural world. They embrace abjection as a
reference to their own primitive mammalian functions, and defy male-centered
anthropocentrism as the dominant means of establishing power.
I use figurative
painting to render a primordial and contemporary female experience. Symbol is
an essential component of my work. Mesh shirts, cheetah print dresses, jewelry
with butterfly emblems, and posters from my own bedroom references the modern
experience of life as a young woman. I am simultaneously inspired by ancient
female icons, such as the Oracle of Delphi, the banshee from Irish folklore,
and virgin sacrifices to chthonic spaces in ancient indigenous Central American
cultures. In my work, I transform these women into contemporary reincarnations
who express their feminine sensuality and emotion. While creating a more
representational self-portrait solidifies narrative in a specific moment and
time, stylization of the figure may enable greater ambiguity and open
interpretation for the viewer.
This work creates an alternate reality where young women are
liberated from experiences of helplessness and emboldened to expose their own
weakness. I look to artists such as Ana Mendieta, Kiki Smith, and Jenny
Saville, who deconstruct vulnerability and re-contextualize it as a structure
for empowerment. My work establishes a relationship to these artists by
celebrating the female experience and critiquing the limitations imposed on it
by a patriarchal society. It is my hope that these paintings project my viewer
and myself into a world of fearless, brave women, which can reveal truths about
our own reality and encourage change.
My work portrays resilient female figures in the face of
oppression or defeat. The women in my work are empowered by their landscape, as
they subjugate fiery horizons and volcanoes, reclaim wet, womb-like caverns,
and retreat stealthily into the opening of a cave-like canopy. Imitating feline
creatures and animal beasts through the expressiveness of their bodies further
strengthens their connection to the natural world. They embrace abjection as a
reference to their own primitive mammalian functions, and defy male-centered
anthropocentrism as the dominant means of establishing power.
Working with symbol, saturated color, and stylization of the
figure enables me to render a primordial and contemporary female experience.
Mesh shirts, butterfly jewelry, and posters from my own college bedroom
symbolize modern femininity, while references to ancient female icons connect
my work to timeless womanhood. Using a heightened color palette allows me to
imagine an alternate reality devoid of female powerlessness. I create specific
or ambiguous narratives by experimenting with shifts from representation to
abstraction as I render the figure.
In this work, I facilitate a mythological landscape that
connects women and nature and reclaims female sensuality. By celebrating
emboldened and unrestrained femininity, I reveal truths about our own
patriarchal society and the limitations it imposes on the female body. I hope
that this work offers an alternative perspective on the experience of womanhood
and re-contextualizes vulnerability as a structure for female empowerment.
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